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Wednesday, 9-May-2012 05:22 Email | Share | | Bookmark
a bronze of Shang Dynasty

Weld length deviation is less than-0.5D; horizontal undercut depth is not more than 0.5MM, long 2D weld surface pores and residue is more than 2, each area of not more than 6MM. Reinforced after banding, timely inspection and acceptance. Check the reinforcement model based on design drawings, the diameter of the root of the number, spacing, shape, size is correct, check the position of negative reinforcement, reinforced hook toward correct. Check the location and length of lap of the reinforced joints, anchorage length of compliance. Check the protective layer of concrete to meet the requirements. On the wall opposite to the mirror would reflect the patterns on the back of the bronze sculpture. Check the steel banding is solid, with or without loosening. Banding missing buckles, loose buckle does not exceed 10% of the debit should be tied, and should not be concentrated. Steel surface with or without grease, granular (Flake) rust. Reinforced installation tolerances and testing methods such as
Plastering engineering china bronze sculpture statue, in the structure or quality inspection and process handover. Meet the type of work item must be checked to ensure that the key to the plastering project quality and production schedule. Respond to the following items before the plaster to be checked: the main structure and hydropower equipment embedded parts are complete and solid, a variety of embedded iron, wood brick location elevation is correct. After serious study and research, they are sure it is a bronze of Shang Dynasty. Should be based on the specific circumstances before the plaster on the surface of the substrate necessary to deal with the application of scaffold eye, a variety of pipeline crossing over the hole in the wall and floor holes, tick ducts 1:3 cement mortar to fill embedded dense or blocked Qi Hao.
Substrate surface dust, dirt, grease, alkali membrane, asphalt stains, adhesive mortar should be cleaned and sprayed with water to wet. Watering Run wall: In order to ensure the plastering mortar with the substrate surface firmly bonded to prevent the hollowing of the plaster layer, cracks, loss and other quality defects in the plaster before, in addition to processing the surface of the plaster matrix, but also to deal with wall watering moist. Experts believed that the bronze statue with inscriptions and patterns are thicker than the others. A stone varieties, specifications, quality should be consistent with the design and china bronze sculpture statue. cement the: P.032.5 ordinary portland cement or white cement. Stone approach should stack on the interior, Celi stacked underneath and skids side. Check varieties, specifications, quantity, quality, compliance with design requirements.
Try to take double-sided welding, such as special circumstances can not be double-sided welding, the single-sided welding. The length of lap-sided welding ≥ 5D, single-sided welding ≥ 10D. Lap welding, the welding end steel pre-bent, and the axis of the two reinforced along the same line. Prior to welding the two fixed positioning weld lap end distance ≥ 20MM. Weld thickness not less than 0.3 times the reinforcement diameter; weld width of not less than 0.7 times the reinforcement diameter. If placed this bronze angel to the sunshine or other light sources, you will see the decorations clearly. Slag, welding arc joint basis of visual observation or measurement, visual inspection requirements: the weld surface should be smooth, no dents or welding; welded joint area shall be no crack; bending of the joints is not 40; reinforced axis offset greater than 0.1D, and not more than 3MM; welding thickness deviation is less than a +0.05 D-0MM; weld width deviation not greater than +0.1 D-0MM.


Monday, 7-May-2012 06:46 Email | Share | | Bookmark
The bronze sculpture has straight ears

Three stone works in general should be painted decorations. "Tara" is the most common themes of MANI stone. "Tara", also known as "saving mother", "Nut", the legend is the peril of the Bodhisattva Guanyin incarnation, a total of 20 phase, color-coded, "White Tara", "Green Tara "and so on. Is said to support the Green Tara can get rid of the eight kinds of fear and distress, it is also commonly known as "eight-saving mother. The bronze sculpture has straight ears and column foot. The effect of "the mother of eight saving" the clean lines and smooth, shallow chisel surface and deep Le line to deal with the surface of the stone to form a straightforward random one go. The bright and strong colors express a serene and magical atmosphere. Tibet woodcut Decorative Woodcarving, printing mold carvings and sealed by the board, wood carving and so on.
Decorative Woodcarving temple building accessories. Guge ruins, Jokhang Temple, Ramoche and Tashilhunpo Monastery in the vast majority of the monastery has the relics of a large number of beautifully decorated wood carving. The main function of the printing mold carvings for the printing of the scriptures, books, and also used to rubbing in the canvas or other auspicious patterns. This china bronze sculpture statue is 100.8 cm high with 7.8 cm of the diameter of the mouth and weighs 153.5 kilograms. Woodblock domain of production, the general first artist to draw the sketch, and then carving engraving, there are self-portraits since carved. Timber birch production use of this property, and sometimes also with sandalwood, pear production. Printing mold wood carving is also used for the printing of the "wind horse flag. "Wind horse flag" the Tibetan "Ronda", also known as "streamer", in fact, Tibet's cloth prints.
Wind horse flag pattern in addition to the sutras and text, the center is mostly a BMW, a horse laden with the treasures of the flame emitted, the four corners of the ring engraved with four protection of God, namely Garuda, dragon, tiger and lion, color generally white, green, yellow, red, blue as a group. The seal may be called by the board woodcarving Tibetan carvings boutique. Since the 8th century, with the construction. At the same time, pull out? Plug capsule written by "pulling Association, Pakistan Russian? Mouth rims of the china bronze sculpture statue were decorated with taotie motif. Zoula, written by Chen-watt" Sage of the Wedding Banquet ", the first bar? Sanggyai Gyatso" written by rust colored glaze, the "Sage of nourishing the heart, work beads? the cloud Danjia measures written "Knowledge Center? Handicraft heart" and other writings are a lot of deals with the Buddhist theory of the plastic arts.
Bon and absorb the Bon color to the formation of Tibetan Buddhism - also known as "Tibetan Buddhism" or "Lamaism". From the mid-11th century, Tibetan Buddhism began to enter the stage of formation and development of the various sects, has formed the Nyingma, Kadampa, Sakya, Kagyu, Gelug Sect. Aim of these sects and the rule of clerical and secular alliance of local forces, to spend a lot of social wealth to build the temple sect theoretical propaganda, which forms a number of different styles of Buddhist art. Sakya Monastery, Drepung Monastery, Tashilhunpo Monastery, Shalu, the monastery itself Temple is the first of this period is cut in the stone like we mentioned in the mantra and scriptures using this method; The second is a relief on the stone plate; and the third is a three-dimensional carving method of three-dimensional space. The local wealthy businessman Song Jinjian hastily brought his family rushing to the scene, only to see a round bronze statue.


Friday, 4-May-2012 03:46 Email | Share | | Bookmark
Summarize the Process of the bronze

Savage hold Bear bronze sculpture performance and a variety of modeling principle to use one. Mature use of the Image Expression: Chinese sculpture and painting in the respective formation of long thousands of years, has been only as arts and crafts, both decorative means, regardless of each other, which formed a line engraved and flat relief in close connection with China typical The characteristics of the modeling method. The price of the bronzeshrink back the ordinary collectors. Decorative only the pursuit of the performance of images, thus affecting the common character of the sculpture and painting - do not seek the resemblance just bore a striking resemblance to the formation of a high degree of image characteristics.
The plane of the form of this intention of painting the picture effect is very strong, to focus on images of the On a performance of verve. Chinese sculpture, too, and Chinese painting concept is the same, but throughout the entire history of ancient sculpture. There are several reference elements for the evaluation of the china bronze sculpture statue as the following. Savage hold Bear Bronze portrayed carefully on the details of the account of the direction of the belt arrangement of teeth seems to pen each painting has a source, but its essence is still a Imagery shape. The Bronze focus on the integrity of the graphic to give up the other side of body real, making the work easy to watch only from the front in order to complete the release, flew into the flowing lines of wild beauty and freedom of interpretation. Two. Sculpture language concise: This is the image derived from other artistic characteristics.
Starting from the feeling and understanding, generally use economic language like Chinese painting, concise, crisp, less is more beautiful and interesting, exaggeration and even distortion to emphasize the charm of the people and animals, is generally used approach, Savage hold Bear Bronze is such modeling on behalf of. First, it must be clear about the dynasties and the origin of the china bronze sculpture statue. Works only subject of feeling and understanding of the images, the concern is not accurate proportions and realistic effects, but the emotion is how to enjoy the catharsis. Hold Savage Bear Bronze taken due to the potential pictographic'' approach, in line with the variability of the language of sculpture and sculpture space of freedom, not served the objective images, art to create a more pure sculpture in the round, relief carving language, is also wired moment.
This is rock the shape of the double image of the animal needs to be variability in the use of the sculpture in refining face a more holistic, like heaven. You still need to know the history of the ownership of the bronze. three. sculpture painting: Savage hold Bear bronze statue has a plane drawing characteristics of Chinese ancient sculpture, painting, without distinction, in sculpture, painting, performance is not attention to the volume of sculpture, space and block surface, but pay attention to the beat and rhythm of the lines of the contour with the body drapery These lines are like drawing lines a high degree of scrutiny summarized refined processed, and Western classical sculpture rich change to the block surface and space to reflect the shape of the contour and drapery entirely different interest. strong sense of the latter volume.
The former only the large volume relations, local and mostly flat strong and sometimes the use of incised lines on a flat surface to the performance of the wrinkled skin and clothing Huo tomb Savage hold Bear "bronze art style to explore fold, still no three-dimensional sense of the painting plane. this feature in the Savage hold Bear Bronze distinctive highlights from the front, Savage and the bear has a complete and clear image from a different angle form with the original stone bump ups and downs looming, not aware where is the hand, where is the foot, Huo tomb of Bronze and around of the tomb of a large bronze the mausoleum large bronze origins, causes the art of beginning, sculpture first. Yang said Zemun. Third is the exquisite production and unique shape of the bronze angel.


Thursday, 3-May-2012 03:48 Email | Share | | Bookmark
bronze Emerged in Late Zhou

Pilu Temple on stone Wengzhong artistic characteristics consistent with the spirit of the times, but also representative works of art of the Han Dynasty the Shishou more than stand in the tomb or the Eastern Han Dynasty large carved stone than the Western Han Dynasty, the largest number of bronze dragon animal most representative of the Shiyang, tigers, lions, Tien Lu, evil spirits ancestral halls on both sides thought that the cemetery like raw, with lifetime instrument Wei Eastern Han Dynasty figures bronzes as animal bronze significant, the number is not, along with the unique shape of ancient, but compared to the Western Han Dynasty, there is a degree of development, moving away from the early Western Han Dynasty antique original features. The bronze has a spout to pour water.
The Western Han the Huo tomb bronze statue is in recognition of meritorious monumental sculptures in a group with a style, but also the most complete three-dimensional sculpture of the earliest content rich heritage. Such a bronze was emerged in late Western Zhou and popular in Eastern Zhou. Use through the stone shape method will be sculpture in the round, relief , line engravings techniques into one, works both realistic and impressionistic style. extant works immediately, lying Horse Prancing Horse, Crouching Tiger, lying like Shiwa, stone fish, stone toad, wau, wild boar, stone man, between man and bear, monster eat sheep 14 "Prancing Horse" 145 cm high, 240 cm (Figure 4).
Sculptor and general practices in a rock only a handful of several times its concise, performance general outline of a horse. abstract extremely expressive force. "man with Bear", "Shiren" according to the situation by a natural rock carving made, vase limonene following Luen-orchid stems luan main Di Gui Lanbaosisai, to a great extent the use of the natural characteristics of the rocks, only a few shallow open wire to show the vivid figures and animals, the sense of volume, weight the full sense. The jian is a type of ancient china bronze. Analyzed and compared the same period of the Han Dynasty unearthed stone Wengzhong, Pilu Temple the stone Wengzhong special is that they are a pair of naked bronze, are taken to the Kneeling position. In addition to the head and waist, wearing ornaments, on the other clothing. And to carve a gender reproductive organs.
This is rare in the past found in the Han Dynasty bronze portrait, about the moral and inconclusive. Nude sculpture from every era of primitive society before the Han Dynasty are found. Pottery portrait, such as the gender with the body unearthed in Qinghai Liu Wan, 1982 Hongshan culture Dongshanzui unearthed pottery pregnant women like. That bronze has a large, deep bowl with a heavy rim that is meant to contain water or ice. Shang Dynasty unearthed some naked partner in, naked stone man. Nude sculpture in the Western Zhou Dynasty unearthed from Anhui Tunxi four sculpture in bronze, the body is relatively bloated. Found in Shaoxing, Zhejiang, 306 tomb of the Warring States period of six nude sculpture sudden milk, two bare-chested women, and the remaining four, but no woman in me, perhaps for men.
There are unearthed during the Qin Dynasty in Zhejiang Wu Xingdi Creek a bronze pier, half naked image of the knees, the nude sculpture in general does not show the person's sexual organs. Han Dynasty, the sculpture into a peak period, nude sculpture most of the figurines on large-scale bronze nudes, records have not yet found. The ancients employed the bronze as a mirror or having a bath. So analysis of the nude sculpture of the Han Dynasty to the performance of the type of character? Represents the identity? Can help us to speculate Pilu Temple stone Wengzhong symbolic meaning. Yin and Zhou Dynasties period jade or china bronze sculpture, most of the modeling was the portrayal of identity as inferior slaves.


Wednesday, 2-May-2012 03:24 Email | Share | | Bookmark
The Artistic Creativity of the bronze

Tang sucked this "paradigm" freeze, later artistic creation can hardly come out. Living in the modern, between the Han and Tang this from the "Start" to "freeze'' to conduct a study for us what kind of spirit to face life, in the face of artistic creativity can learn a lesson at a national aesthetics, is the nation of the inner spirit'' to reflect, through art "media'' spirit materialized to the external appearance of retained since the Han and Tang tomb chinese bronze is this" spirit'' representation of the Community. Moreover, the decorative patterns are similar to the sacrificial bronze. Then, in turn, we can clump the "appearance" being to find out its history the state and the state of aggregation spectacular one Wei River of the aesthetic history of mankind. In this, the paper select the Han and Tang dynasties the most representative of two tomb - Maoling the Huo tomb bronzes and Tang Shunling bronzes were analyzed and compared. Study for the line to the identity of the tomb.
The bronze works of art to reflect the royal aesthetic and folk aesthetic point of view to classify specific to each subject matter, content, performance practices, bronze statue ornamentation of the Bronze Art Archaeology The aesthetic transformation of the Han and Tang investigated the depth of the research. Artistic paradigm, the concept of the art program in accordance with the different influence on later art. Some people take the bronze for an animal zun. Combination of Han and Tang periods of political, economic, ideological, cultural, religious and other development came out with its aesthetic process of change and the evolution of this process status; bronze as a whole through the comb and the research process, it remains speculation the Maoling Huo tomb The layout put forward their point of view, and on this basis, the classification of their sculptures to find out the aesthetic characteristics; show iconology Figure contrast, in comparison with Shun Ling Han Tang aesthetic evolution.
In addition, the study employed a literature research method to collect archaeological data, inspection; combined with field research in kind, the linear method of combing the data; in the analysis study, the comparative method of analysis, including: historical comparison, images, drawings, from the subtle analysis of the development and changes from the Han to the Tang tomb sculpture in bronze. However, they are different for the lid of the bronze is made into an animal head. The impact of this process of change and its future generations of art obtained: aesthetic development on the level of direction, only the change of style; mausoleum bronze art began in the Han Dynasty, freeze Tang; grid is the tomb of bronze Paradigm to the evolution of programmed; different processes and the creation of the Tang Dynasty bronzes from the Han Dynasty, the arts, find out the creation of today's art for reference.
Maoling, Shun Ling bronze thread object and purpose of the tomb of bronze in the Han and Tang aesthetic shift means a set of stone carvings in the ancient Chinese imperial mausoleum and Tombs of the tomb region, ancient called "Dan Xiangsheng. The spout of the bronze is designed as the neck of the animal used for dumping drinks. It is the mausoleum building in general, but also has a unique aesthetic value of the system development group shape manifestation is the tomb of the scope of art type (including murals, painted coffins, funerary objects, sculpture, architecture category) in the ground shape of Ministry classes. Today are arts and archeology of these bronze sculptures within the context of its research centers are placed in: research on the work's provenance, texture, and elsewhere, other generation techniques similarities and differences of the means of expression.


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